6. SAFFF Divers MP3, XIII STOLETI, SangPourBlut
MP3 1-2
1. CF. Antimatter, Anathema, RPWL
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Gothique / Rock République Tchèque
Influence: Bauhaus, Sister of Mercy
Membres:
PETR STĚPÁN (singer, leader of band and writer) 
PAVEL STĚPÁN (drumms)
JANA HAVLOVÁ (keyboards)
MIREK "PALDA PALEČEK" (bass guitar,voice)
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Martin Soukup basová kytara (bass guitar)
OLIE RYSAVA Klavesy Jiří Sindelka (Ztraceni v Karpatech, Gotika, Werewolf, Nosferatu)
Marcel Novák (Ztraceni v Karpatech)
Michal Kourek kytara (Gotika, Werewolf, Nosferatu)
Petr Palovčík baskytara (Amulet)
Bedřich Musil kytara (Amulet)
HISTORY in http://www.maffet.cz/www/xiii/index.html
The beginning of the groupe XIII. Století could be dated to the year 1990. It arise from the ruins of punk trio "HRDINOVÉ NOVÉ FRONTY". The kind of music, which a groupe play is a gothic rock. As frontman of XIII.Století, Petr Štìpán, says: It is logicaly only one genre, which can grouw up from punk past, without declining their music from the past During evolution, the cast of the groupe changed many times, but unchanging base from establishing of XIII.Století is still singer PETR ŠTÌPÁN and drummer PAVEL ŠTÌPÁN 
Most importat part of groupe's activity are concerts well known for monstrosy show. Long existance of gothic group is a fantastic in czech area and it could be called phenomen of czech music. During the years they released many albums. The first was CD AMULET with fresh guitar sound, the second was more pop album GOTIKA. These two albums were released by company Monitor. Then XIII.Století started cooperation with company "Happy Music" and released with them three dark gothic albums - energic NOSFERATU, WEREWOLF and ZTRACENI V KARPATECH.
XIII. Století became very popular in Poland and in Slovakia and specialy after their attendance on gothic Fest in Bolkow in 1999, thier popularity grew up and not only in Poland but in Italy and other europe countries. Activity of Petr Štìpána are very large - from appearance in theather till writing the book. He is a autor of "The Book of Nosferatu - Vampire bible." Between 2001 and 2003 there was long pause, but our favotire groupe is back and strong again.
DISCOGRAPHIE
ORPHANED LAND
http://www.myspace.com/orphanedmyspace
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In 1992, after a period of research and self-realization, the band decided to focus on the actual and cultural reality of the middle-east region and therefore changed its name to "Orphaned Land".
Orphaned Land is an explorer of various musical styles and existing ideas/concepts worldwide. They combine philosophies and religious concepts in their diverse music, which is based on metal music, yet the sky is the limit when it comes to musical richness and Orphaned Land: they combine ancient folk instruments such as Saz, Kanoon, Oud, Bouzouki, 20 different percussion types, using 6 languages and singing styles from various cultures worldwide, while using and mixing the monotheistic religions,- Judaism, Islam and Christianity with a rainbow full of cultural elements.
In 1993, after self releasing their debut demo "The Beloved's Cry", the band was signed by the French label "Holy Records" for 2 albums. Their first album, "Sahara", was released in 1994, followed by their 1996 "El Norra Alila", set the stage for Orphaned Land's unique sound, being a fresh breeze from the middle-east, since the metal scene was so used to bands from the U.S, Europe and Scandinavian countries.
Their albums were widely covered in the press and drew hundreds of interviews.
Following the success of their first 2 albums, Orphaned Land got several offers from major labels, and finally signed with Century Media in 1997.
After signing the new contract, due to personal issue side by side with the harsh reality of life in Israel and the middle-east, Orphaned Land went into "low gear" for nearly 6 years, a period known as "The calm before the flood". This period ended when the band came back to the stage in a 3 shows mini-tour in Israel and Turkey titled "the calm before the flood". From there on the path was paved for this extraordinary band, forces got reunited into high gear, and in 2004 the band finished the work of its long awaiting album "Mabool", telling the story of the three sons of seven and based on the biblical flood.
Immediately after the release of "Mabool", the band was signed with the leading booking agency ICS.
"Mabool" set Orphaned Land in the front of the middle-eastern & worldwide metal scene as the flagship band of Israel, as the band toured 4 continents in almost 30 countries, including being the first ever Israeli band in world-known festivals such as Wacken Open-Air, Summer-Breeze, Hellfest and ProgPower.
Nowadays the band is working on its next release titled "The Neverending Way Of ORwarriOR" produced by Steven Wilson (Porcupine Tree, Opeth), to be released tentatively at late 2008/early 20093
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SANGPOURBLUT,
http://www.saltatio-mortis.com
Saltatio Mortis sind:
Alea der Bescheidene (Gesang, Sackpfeifen, Schalmeien)
Cordoban der Verspielte (Gitarren,Schalmeien, Sackpfeifen, Flöten, Fiedel)
Bruder Frank (Bass, Percussions)
El Silbador (Sackpfeifen, Schalmeien)
(Sackpfeifen, Schalmeien, Drehleier, Gesang)
Lasterbalk der Lästerliche (Davul, Trommeln, Percussion, Pauken, Programming)
Samoel (Gitarre, Laute, Zister)
Thoron Trommelfeuer (Darabuka, Trommeln, Percussion, Sackpfeifen und Schalmeien)
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| Aus der Asche 2007 So hart und gleichzeitig so weich gefühlvoll wie nie zuvor: | ||
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| Des Königs Henker 2005 Saltatio hat sich festgelegt: Auf elektronische Elemente wird verzichtet, dafür fallen die Gitarren umso fetter aus. Eine neue Generation Mitelalterock - und das erste Chartalbum von Saltatio Mortis | ||
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| Manufactum 2005 Der Mittelaltermarkt für zuhause: 61 Minuten mitreißende Marktmusik mit Moderationen, zwischenrufen und jeder Menge Schweinskram. | ||
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| Erwachen 2004 Das zweite Rock-Album. Mehr Gitarren, mehr Melodien, mehr Druck. | ||
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| Falsche Freunde 2003 Ein Vorgeschmack auf das Album "Erwacchen" mit vier Versionen des Hits "Falsche Freunde" und dem Cover des Kiss-Klassikers "God Gave Rock'N'Roll To You". | ||
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| Heptessenz 2003 Hier treten wir den Beweis an, dass man auch mit Mittelalterlichen Instrumenten eine Klangqualität erreichen kann, die sich hinter anderen modernen Produktionen nicht zu verstecken braucht. | ||
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| Das Zweite Gesicht 2002 Die Spielleute von Saltatio Mortis wagen den Blick in die Zukunft: Auf dem Fundament aus mittelalterlichen Instrumenten entsteht daraus ein neuer, unverwechselbarer und extrem tanzbarer Stil. | ||
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| Tavernakel 2001, Re-Release 2003 Unsere Erstlingswerk entstand auf drängen der vielen Begeisterten, die unsere Musik von den Märkten gern mit nach hause nehmen wollten. | ||
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